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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "World" metaphor
Instrumental Music Album. No Lyrics.
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2. |
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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "World" metaphor
Instrumental Music Album. No Lyrics.
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3. |
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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "World" metaphor
Spoken words by Dr Kalyanaraman are transcribed below.
What treasures have been left for us by our elders in creation of an organizational structure called the SheDi dharma where you get together, work together but dont consume everything for yourself - create shared wealth, a common wealth - that is SheDi dharma - that created the wealth
Angus Maddison was able to say - in the 1st century CE India constituted the largest nation in the globe accouting for 60% of the world's wealth how did this happen?
Why is a 1-horned young bull, elephant and this monkey dressed like a woman offered as tributes? Because they are offering gold and jewelry as ornaments - So this rebus principle that is used in the Egyptian Heiroglyphs continues to be used in the Indus script primarily communicating wealth-accounting ledgers.
Pola is the zebu - the bas Indicus - Pola means Magnetite, ferrite ore - the bird on the bull is Poladu - Poladu in all languages - Slavic, European, Indo-Eurasian, Indo-European, Indian - Polad means steel. So we have Pola which is magnetite ore and Poladu signifying steel - so they were working with Iron and Steel!
So, the so-called Indo-European languages are all a mixture of these different compositions that occur and are present even today in Prakrit, Pali, Kashmiri, Marathi, Malayalam, Tamil - the common symbols were easily understood when the underlying words were understood. The scripts were easily understood even if the languages were different. That makes for a unity of these languages.
The largest water-tower of the world and that yields 5 great rivers feeding 2 billion people. A lot of activity was taking place along an ancient maritime tin route along the Indian Ocean and the navigable waterways of Mekong, Iravati, Brahmaputra, Karatoya, Ganga, Yamuna, Sarasvati, Persian Gulf, Tigris, Euphrates, Mediterranean into Israel. So, there was a link from Hanoi to Haifa which predated the silk road by 2 millennia.
Are we missing out something in this historical narrative of a civilization of people who extended from Hanoi to Haifa? So,the History needs to be retold based on these sporadic evidence that come out from Archaeology. We need to put them together into a cohesive story of a great cosmic order that was recognised by our ancestors. That's a tribute we can pay to our elders. Thank you very much!
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4. |
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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "Void" metaphor
Instrumental Music Album. No Lyrics.
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5. |
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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "Void" metaphor
Instrumental Music Album. No Lyrics.
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6. |
All Things, Everywhere
04:26
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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "Void" metaphor
Instrumental Music Album. No Lyrics.
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7. |
Dichotomy – The Essence
04:29
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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "Web" metaphor
Instrumental Music Album. No Lyrics.
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8. |
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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "Web" metaphor
Instrumental Music Album. No Lyrics.
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9. |
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Act I - World, Void And Web
World, Void and Web are metaphors of our daily lives - times when we feel grateful (World), times when we feel eclectic (Void) and times when we feel sucked (Void).
This track belongs to the "Web" metaphor
Instrumental Music Album. No Lyrics.
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10. |
Think Less, Feel More
02:00
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ACT II - The Ecstatic Language @ Someplace Else
"For all its power to wound and seduce, speech is our most ephemeral creation; it is little more than air. It exits the body as a series of puffs and dissipates quickly into the atmosphere. There are no verbs preserved in amber, no ossified nouns, and no prehistorical shrieks forever spread-eagled in the lava that took them by surprise." - Christine Kenneally in her book The First Word: The Search for the Origins of Language
Instrumental Music. No Lyrics.
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11. |
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ACT II - The Ecstatic Language @ Someplace Else
"For all its power to wound and seduce, speech is our most ephemeral creation; it is little more than air. It exits the body as a series of puffs and dissipates quickly into the atmosphere. There are no verbs preserved in amber, no ossified nouns, and no prehistorical shrieks forever spread-eagled in the lava that took them by surprise." - Christine Kenneally in her book The First Word: The Search for the Origins of Language
Instrumental Music. No Lyrics.
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12. |
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ACT II - The Ecstatic Language @ Someplace Else
"For all its power to wound and seduce, speech is our most ephemeral creation; it is little more than air. It exits the body as a series of puffs and dissipates quickly into the atmosphere. There are no verbs preserved in amber, no ossified nouns, and no prehistorical shrieks forever spread-eagled in the lava that took them by surprise." - Christine Kenneally in her book The First Word: The Search for the Origins of Language
Instrumental Music. No Lyrics.
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13. |
For You, At This Moment
04:59
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ACT II - The Ecstatic Language @ Someplace Else
"For all its power to wound and seduce, speech is our most ephemeral creation; it is little more than air. It exits the body as a series of puffs and dissipates quickly into the atmosphere. There are no verbs preserved in amber, no ossified nouns, and no prehistorical shrieks forever spread-eagled in the lava that took them by surprise." - Christine Kenneally in her book The First Word: The Search for the Origins of Language
Instrumental Music. No Lyrics.
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14. |
Magic Of Maybe
06:00
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ACT II - The Ecstatic Language @ Someplace Else
"For all its power to wound and seduce, speech is our most ephemeral creation; it is little more than air. It exits the body as a series of puffs and dissipates quickly into the atmosphere. There are no verbs preserved in amber, no ossified nouns, and no prehistorical shrieks forever spread-eagled in the lava that took them by surprise." - Christine Kenneally in her book The First Word: The Search for the Origins of Language
Instrumental Music. No Lyrics.
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15. |
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ACT II - The Ecstatic Language @ Someplace Else
"For all its power to wound and seduce, speech is our most ephemeral creation; it is little more than air. It exits the body as a series of puffs and dissipates quickly into the atmosphere. There are no verbs preserved in amber, no ossified nouns, and no prehistorical shrieks forever spread-eagled in the lava that took them by surprise." - Christine Kenneally in her book The First Word: The Search for the Origins of Language
Instrumental Music. No Lyrics.
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World Void Web Bengaluru, India
World Void Web is an Indian solo artist, musician and composer. Known to his friends and family as Ajit Padmanabh, World
Void Web is a self-taught musician.
He attributes all of his creative work, to the supreme force. The studio is his temple and the equipment, his family. The creative process is intensely personal for him, embellished with magical experiences.
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